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1 of 6 • Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate 1 from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate 1 from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate XXIX from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate XLIV from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate LIV from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate A from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection
Thomas Langley (1702–1751?) after Batty Langley (1696-1751), Plate B from Gothic Architecture, Improved by Rules and Proportions, London, John Millan, 1747, engraving, Yale Center for British Art, Paul Mellon Collection