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1 of 6 • Thomas Shotter Boys (1803-1874) after John Ruskin (1819-1900), "Wall Veil Decoration, Ca' Trevisan and Ca' Dario" from vol. I of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, hand-colored lithograph. Yale Center for British Art, Paul Mellon Collection

Thomas Shotter Boys (1803-1874) after John Ruskin (1819-1900), "Wall Veil Decoration, Ca' Trevisan and Ca' Dario" from vol. I of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, hand-colored lithograph. Yale Center for British Art, Paul Mellon Collection

James Charles Armytage (-1897) after John Ruskin (1819-1900), "Spandril Decoration" from vol. I of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, engraving. Yale Center for British Art, Paul Mellon Collection

R. P. Cuff (fl. 1860) after John Ruskin (1819-1900), "Inlaid Bands of Murano" from vol. II of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, hand-colored lithograph. Yale Center for British Art, Paul Mellon Collection

John Ruskin (1819-1900), page 41 from vol. II of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, letterpress. Yale Center for British Art, Paul Mellon Collection

James Charles Armytage (-1897) after John Ruskin (1819-1900), "Archivolt in the Duomo of Murano" from vol. II of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, hand-colored lithograph. Yale Center for British Art, Paul Mellon Collection

R. P. Cuff (fl. 1860) after John Ruskin (1819-1900), "Windows of the Early Gothic Palaces" from vol. II of The Stones of Venice, London: Smith, Elder, and Co., 1851-1853, engraving. Yale Center for British Art, Paul Mellon Collection